VICTOR CROWLEY: Adam Green's Victory Lap

by Patrick Bromley

The fourth Hatchet movie celebrates a decade of of independence.

FTM 424 - OUR FAVORITE HORROR MOVIES OF 2017

Patrick and Heather Wixson do their annual rundown of the year's best horror movies.

Review: ANOTHER WOLFCOP

by Patrick Bromley

More cop. More wolf. More Canada.

Review: JIGSAW

by Patrick Bromley

Jigsaw is no worse than even the most average of Saw movies. Unfortunately, it isn't any better, either.

Great Horror Performances: Fiona Dourif in CULT OF CHUCKY

by Heath Holland

The iconic killer doll Chucky makes a triumphant return In 2017’s Cult of Chucky, but it’s Fiona Dourif who steals the show.

Reserved Seating: HAPPY DEATH DAY / THE SNOWMAN

by Adam Riske

Both entertaining but for different reasons.

Review: GERALD'S GAME

by Patrick Bromley

Mike Flanagan has yet to make a movie I don't like, but this time he might have achieved the impossible.

Redboxing: THE CROPSEY INCIDENT and THE ATTIC

by Rob DiCristino

My Redbox is haunted. Must be almost #ScaryMovieMonth.

Review: THE HOUSES OCTOBER BUILT 2

by Patrick Bromley

A polarizing horror movie gets an unexpected follow-up.

Reserved Seating: MOTHER!

by Rob DiCristino and Adam Riske

Some people take mental health days. Darren Aronofsky may not believe in those.

F This Movie! 404 - IT

Patrick welcomes author and filmmaker Joe Maddrey back to the podcast so they both can float.

I Stream, You Stream Vol. 47

by Patrick Bromley

This week's streaming suggestions will float down here, too.

Review: DEATH NOTE

by Patrick Bromley

Adam Wingard adapts a popular Japanese story and the internet loses its shit.

Riske Business: I Think I Love THE BYE BYE MAN

by Adam Riske

What started ironically has become genuine. This column will contain spoilers.

Reserved Seating: ANNABELLE: CREATION

by Rob DiCristino and Adam Riske

More like Adambored: Duration.

Review: Wish Upon

by Adam Riske

I’ve got low standards.

Satan Prefers Blondes: Minimalism in The Blackcoat's Daughter

by Cass Cannon

At the center of much demonic lore sits the prize sheep of purity; she is young and blonde, usually early in puberty but on the brink of her first sexual encounter, and traditionally attractive. In fact, she is perfect; irresistible, even. This obsession with the canonization and demonization of young women is as old as lore itself. We watch this archetypical young woman get torn up, consumed, and violated—all the while admiring her gentle grace and young naivete. She is what we are all taught to fear—purity losing itself to darkness.

Win a Copy of Get Out on Blu-ray!

by Jerry Smith

We're giving away one of the year's best movies!

Review: Awakening the Zodiac

by Jerry Smith

While there have been more than handful of films based on the notorious Bay Area Zodiac murders, let’s be honest here: there will most likely never be one that will hold a candle to David Fincher’s 2007 Zodiac. What Fincher accomplished with that film is nothing short of creating a masterpiece and it’s kind of like that thought of “well, where do we go from here and why bother?” Thankfully, Jonathan Wright’s Awakening the Zodiac does something very unexpected and refreshing: it gives us viewers a completely unique film, one that serves as a hybrid of true crime and fictional, engrossing storytelling.

Review: The Belko Experiment

by Patrick Bromley

Brutal as f--k.