by Erika Bromley
“My name is Arbogast, friend. I’m a private investigator.”
Showing posts with label great horror performances. Show all posts
Showing posts with label great horror performances. Show all posts
Thursday, October 31, 2019
Wednesday, October 30, 2019
Monday, October 28, 2019
Thursday, October 24, 2019
Great Horror Performances: Simon Pegg in SHAUN OF THE DEAD
by Michael Pomaro
Anyone who has known me for more than 10 minutes knows that Edgar Wright’s Shaun of the Dead is one of my favorite movies. No matter how many times I watch it, and I watch it a lot, I discover new things to love about it. My wife and I caught it on cable a few weeks ago, so naturally we left it on. It was on this viewing that Simon Pegg’s performance stuck out to me in ways it never has before and it left me wondering why.
Anyone who has known me for more than 10 minutes knows that Edgar Wright’s Shaun of the Dead is one of my favorite movies. No matter how many times I watch it, and I watch it a lot, I discover new things to love about it. My wife and I caught it on cable a few weeks ago, so naturally we left it on. It was on this viewing that Simon Pegg’s performance stuck out to me in ways it never has before and it left me wondering why.
Monday, October 21, 2019
Friday, October 18, 2019
Great Horror Performances: David Naughton in AN AMERICAN WEREWOLF IN LONDON
by Jan Bottiglieri
When it comes to horror films, my advanced age (achieved through balanced diet, fresh air, and an ancient demonic curse) gives me a slight advantage. For many of the 1980s-era (era) classics, my first watch was not on a VHS rental at a slumber party full of pre-teens, but in a giant darkened theatre full of other adults. An American Werewolf in London is one such film, and let me tell you—when this film was released in 1981, the audience reaction was NUTS. Zombie Nazis machine-gunning children? A werewolf transformation, complete with nonstop screaming? Wise-cracking corpses, decapitated policemen, and full-frontal nude male balloon stealing? Yes, please!
When it comes to horror films, my advanced age (achieved through balanced diet, fresh air, and an ancient demonic curse) gives me a slight advantage. For many of the 1980s-era (era) classics, my first watch was not on a VHS rental at a slumber party full of pre-teens, but in a giant darkened theatre full of other adults. An American Werewolf in London is one such film, and let me tell you—when this film was released in 1981, the audience reaction was NUTS. Zombie Nazis machine-gunning children? A werewolf transformation, complete with nonstop screaming? Wise-cracking corpses, decapitated policemen, and full-frontal nude male balloon stealing? Yes, please!
Tuesday, October 15, 2019
Tuesday, October 30, 2018
Monday, October 29, 2018
Great Horror Performances: Dwight Frye in DRACULA (1931)
by JB
Want to know how great Dwight Frye is in the original sound Dracula? Alice Cooper wrote a song about him. I don’t see Alice Cooper writing elegies to any other semi-obscure 1930’s character actors…
Want to know how great Dwight Frye is in the original sound Dracula? Alice Cooper wrote a song about him. I don’t see Alice Cooper writing elegies to any other semi-obscure 1930’s character actors…
Tuesday, October 16, 2018
Monday, October 8, 2018
Great Horror Performances: Lauren Cohan in THE BOY
by Patrick Bromley
Kicking off our annual series with a surprisingly great performance in a surprisingly good horror movie.
Kicking off our annual series with a surprisingly great performance in a surprisingly good horror movie.
Tuesday, October 31, 2017
Great Horror Performances: Caroline Williams in THE TEXAS CHAINSAW MASSACRE 2
by Patrick Bromley
We end this year's Great Horror Performances series with one of the all-time great final girls.
We end this year's Great Horror Performances series with one of the all-time great final girls.
Friday, October 27, 2017
Great Horror Performances: Fiona Dourif in CULT OF CHUCKY
by Heath Holland
The iconic killer doll Chucky makes a triumphant return In 2017’s Cult of Chucky, but it’s Fiona Dourif who steals the show.
The iconic killer doll Chucky makes a triumphant return In 2017’s Cult of Chucky, but it’s Fiona Dourif who steals the show.
Wednesday, October 25, 2017
Tuesday, October 24, 2017
Thursday, October 19, 2017
Tuesday, October 17, 2017
Great Horror Performances: Dee Wallace in THE FRIGHTENERS
by Stephanie Crawford
Calmly smoothing black and grey hair away from her eyes, we see the face of America's Greatest Film Mom. It is at this moment that we know she'd probably laugh while planting an ax through our forehead.
Calmly smoothing black and grey hair away from her eyes, we see the face of America's Greatest Film Mom. It is at this moment that we know she'd probably laugh while planting an ax through our forehead.
Monday, October 31, 2016
Great Horror Performances: Boris Karloff in The Bride of Frankenstein
by JB
Although Karloff’s performance in the original Frankenstein is groundbreaking and unique, I keep going back to the sequel.
Although Karloff’s performance in the original Frankenstein is groundbreaking and unique, I keep going back to the sequel.
Friday, October 28, 2016
Great Horror Performances: Fredric March in Dr. Jekyll and Mr. Hyde (1931)
by Patrick Bromley
The very first horror performance ever awarded an acting Oscar is still one of my favorites.
The very first horror performance ever awarded an acting Oscar is still one of my favorites.
Thursday, October 27, 2016
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